Friday, 24 July 2015

Where I write


Perhaps this is a tad pretentious of me, but hey, it might be a bit of fun after having read dozens of 'where I write,' columns in the Writers' Forum magazine, who follow authors such as short story writer Steve Beresford, crime writer Bill Kitson and columnist and non-fiction writer Penny Legg just to name a few.

So firstly I don't have the luxury of Bill Kitson's, where I get to write from locations across the Mediterranean, soaking in bayside views from islands across Greece; but then again I'm not a famous novelist either.

While most admit to writing from locations such as the kitchen, dining room, coffee shops, sunrooms and under umbrella's on patio's (not forgetting luxurious island locations), they all still seem to have a dedicated office where they can retreat to perform their writing when they need to.

I too have tried writing from many locations much of which is already listed, and in agreement some locations work better than others depending on the day, your mood and time permitting.

My Home office

Yer I know, it's not very inspiring, but then again should it be? Isn't it a good thing to have office spaces that can't detract us writer's from our train of thought; that doesn't distract us with interesting items placed around us?

Just outside beyond the tiniest frosted glass window that sits to the left of my office, is a rural setting that whether in winter or summer is filled with inspiration. Teaming rain fills the house with a deafening roar upon the tin roof in winter, while families of Rosella's and Honey-eaters fight over lunch, hopping from shed roofs to the bare branches of the Mt Fugi, all invisible from my work station.

In winter I write better from places that provide warmth and that's definitely not my office. Most of the time I'll sit up at the kitchen bench under the heater with my laptop. Other times when I don't want any distractions such as phone calls, pantry's and fridges, housework, dishes, washing, walking the dog and thinking about preparing dinner or cooking muffins or cup-cakes for tomorrow's school lunches, I'll go to the local library.

Like Steve Beresford I can't write if there is music, TV noise or conversation around me; it just completely destroys any concentration I might have.

My Whiteboard / noticeboard

Here I keep track of all writing commitments like competition deadlines, anthologies and opportunities among a few other things like a portrait of myself and my daughter, a palmistry guide; another past-time of mine, and my horoscope.

While most of the author's interviewed in Writers'Forum are full-time writers, writing anything from six to fifteen hours a day, I scramble to find a few precious uninterrupted hours a week to produce my work, but all-in-all it's enlightening to know that most of us writers whether well-published or not, all work much the same; some days we will produce great work while others are merely used as stepping stones for future works and there's nothing wrong with that.

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